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I’m in a Production!
When I was twelve years old, I performed in Little Shop of Horrors at my summer camp. I knew nothing about acting, it was the “kids version” of the show, and I had a stereotypically bad New York accent. I’ve loved musical theatre my entire life. This show was one of the first shows I really connected with, and ultimately fell in love with. Fast forward eight years later, and here I am, starring in Little Shop of Horrors as a real, college production!
Since the Juniata Theatre Department typically puts on a musical every three years, I was so excited to get back into my “element” from high school. Although I love getting to experience and train with different types of theatre (i.e. Shakespeare, devised work, contemporary plays, etc.) musical theatre has always been my favorite type, and is ultimately my goal for after I graduate. For this show, we brought in Tara Giordano, an outside director from New York, Gabriel Gould (who is actually an English Professor here at Juniata) as our Musical Director, and Nate Dryden, a visiting artist who focuses on aerial and floor movement (I was able to work with him last year on trapeze!) as our Choreographer. As for our cast, this is one of the first shows where the cast is mostly non-theatre students. We have four freshman, two sophomores, two juniors, two seniors and a graduate student! It has been such an amazing experience to have so many different types of talented people working on a beautiful show.
Rehearsals have been really hands-on for us, as we have been taking our ideas for our characters and going into so much detail about them, how they move, how they speak, how they think, what they want, etc. It definitely takes a lot more than just reading words off a page to make a play really come to life. Since the show takes place in the 1960s, we have to play with different styles of dance and attire from that period (our costumes are awesome). When blocking scenes, even though our director ultimately decides how the scene should look, Tara was always willing to listen to our ideas and encouraging us to embrace our impulses. It’s been a really educational, beneficial, and rewarding experience working on this show and putting so much effort into the play we’ve created.
We have all been hard at work for the past two months memorizing, blocking, building, and singing our hearts out in rehearsal every day. While you’re in a production, it often seems like the actual performances of the show are ages away, until one day you wake up and realize you’re opening in a week! It’s been really crazy watching this show grow from a script in our hands to a real play on stage with a live band, a beautiful set, and soon an audience sitting in front of us! Little Shop of Horrors opens on October 21st at 8:00 PM, and will be performing on the 22-23rd, and 27-29th as well. Tickets are free for Juniata students and $20 for general admission! If you are in the area, and want to see a hilarious, bloody, romantic, and slightly terrifying musical, then I hope you come see the show!
Flying Solo
For the past few weeks, my Performance Lab class (run through the Theatre Department) has been building our show, Solos, which opens in two weeks! Performance Lab is an incredible class that Theatre Performance POEs get to experience, where every few weeks different guest artists come to school to work on specific techniques or skills with us. We’ve worked on movement, scene studies, playwriting, and stage makeup, and learned what it’s like to be an actor after we graduate. I’ve only had two semesters of Performance Lab so far (as a Theatre POE we need five semesters), and it is definitely the best and most rewarding class I have taken at Juniata. We get to build so many different skills, work with incredible artists, and make outside connections in the “actor world.”
Recently, we have been working with Leigh Hendrix, an actor and theatre performer based in New York, who is serving as our mentor for our solo performances. Each student in our Performance Lab class has created a seven-minute piece, and is starring in it alone. The themes and stories are all incredibly different, and my classmates have worked to portray a multitude of diverse characters.
For my solo, I wrote a short play called “Out of My Head”, which shows the struggle of a girl who is arguing and sometimes being controlled by the voice in her head (which I believe everyone has had some experience with at some point). I will be playing the girl and the voice at the same time, switching back and forth between the two simultaneously. Playing two characters at once is something I’ve never done before, so I’m really excited to continue working with my play in rehearsals. I probably re-wrote my script a dozen times, always tweaking and changing little things here and there until I found a draft that I am very satisfied with. As an actor and playwright, it’s nearly impossible to find “the perfect draft” of a play because every time you read it, or listen to it being read, you find new things you want to change. It’s a really fun but strenuous process.
Solos are being performed April 20th, 21st, and 22nd in both the Suzanne Von Liebig Theatre and The Movement Studio. Since there are eleven students in our class, we split the group in half, so six will be performing in SVL Theatre, and five in the movement studio. I definitely recommend coming to see a performance, because it’s really amazing to see some of the work Juniata’s performers can do. If you want to see all of the student’s pieces, you’ll need to come two nights (since you can only be in one space at one time). My friends and I have worked really hard on these original pieces, and I can’t wait until we can show everyone!
To Be, or Not To Be (Involved)
The spring semester theatre production of “Hamlet” opens this week and I am so incredibly excited. Not only are they performing this weekend and next, but they get to travel to the Edinburgh Fringe Festival in Scotland in August! I was not cast in this show, but just because you’re not cast doesn’t mean you have to sit on the sidelines and watch from afar. I hopped on the opportunity to work backstage with the costume crew. This was my first experience working on the technical side of theatre, but my supervisors were appreciative, understanding and helpful with our tasks.
I was a little embarrassed to admit I didn’t know how to sew, but the costume designer for the show, Tara Webb, taught me everything I needed to know. I worked to sew buttons and labels while she made alterations to the actor’s costumes.
Another great part of working backstage is that I get to see the whole process of the show being put together. Many of my best friends have been cast in the show and it is
so amazing to see them killing it on stage! Not to mention, “Hamlet” is not an easy show! Any Shakespeare play has some serious memorization and text work that needs to be done before the play can even begin to be blocked in rehearsal.
“Hamlet” opens this Thursday, February 18th, and will perform the 19-20, and the 25-27th as well. There is a male cast and a female cast, and the casts alternate each night. I’m so proud of my friends for all of the work they’ve put into this show, and I’m so glad I can be a part of it, even thought I’m not in the actual show.
