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This semester I had the honor of performing in Juniata’s fall production of William Shakespeare’s, Julius Caesar. One of the things that I really enjoyed doing before coming to college was performing in my school’s shows, and when I heard that Juniata was going to be putting on Julius Caesar, I knew that it was something that I definitely wanted to be a part of.(more…)
One of my favorite events Juniata has every year is the Liberal Arts Symposium, or LAS for short. Each year, classes are cancelled for the whole day, and students and faculty are encouraged to travel across campus and attend student presentations about work/research they have done during the year. There are a lot of different types of presentations, and most common presentations are often in the sciences. This year however, I was able to present my own work at LAS, with focus on the Theatre Department.
This semester, I decided I wanted to do an independent study with one of my professors, Leigh Hendrix, and I wanted to attempt to write a full-length play. I have written several short plays (10 minutes or less) throughout my time at Juniata, but I have never tried to write something as complicated and in-depth as a full-length play. I came up with the idea to write a murder mystery, because that is my favorite genre to read/watch. I’ve always loved crime shows and mystery novels, but I never realized just how difficult it is to write a mystery yourself! There is so much background work that needs to occur before one even starts writing in order to create a successful, fluid piece. Once a week, Professor Hendrix and I would meet to look at my writing progress, and map out the entire storyline of the play. I honestly didn’t think I would finish this semester. I know that it sometimes takes years for people to complete a play, and shoving this project onto my already packed work load was definitely difficult for me. However, a few weeks ago I managed to finish a first draft! As soon as I finished the draft, it felt like I had given birth! I had worked hard toward this goal that I didn’t think I would reach, and I did! Over the following few weeks, I printed out the entire script and edited it over and over again. I then recruited a bunch of my friends to aid in my presentation for the Liberal Arts Symposium.
Since I was just doing a public reading of half of the play, it was a less strenuous rehearsal process, since the cast only had to meet once the read through the piece before presenting it at LAS. My play has eight different characters, so I had to ask a lot of different people to be involved, but everyone did such a great job reading their character at the presentation! After the reading, my mentor facilitated a talk-back session, where I could ask questions of the audience and receive feedback about the process. My first question to the audience was: Who do you think did it? To my surprise, although the audience guessed five different characters, none of them had correctly guessed the killer! That was definitely a confidence-booster for me, and it showed me that I wrote a really great play. I received such amazing feedback from the students and staff and outside audience members who came to listen to the reading. It truly was an amazing moment of pride, excitement and joy to hear my words being read out loud, and receiving positive feedback from so many peers.
Although the semester is coming to a close, that does not mean my work on this play is done. For most, a play is never done. There are always changes that can be made. I hope to keep editing this play and make it longer and stronger, and hopefully be able to stage the show at some point next year! Overall, the Liberal Arts Symposium was such a great experience for me to present a project I had put so much effort into, and see how others reacted to it. I can’t wait to keep working on my play!
When I was twelve years old, I performed in Little Shop of Horrors at my summer camp. I knew nothing about acting, it was the “kids version” of the show, and I had a stereotypically bad New York accent. I’ve loved musical theatre my entire life. This show was one of the first shows I really connected with, and ultimately fell in love with. Fast forward eight years later, and here I am, starring in Little Shop of Horrors as a real, college production!
Since the Juniata Theatre Department typically puts on a musical every three years, I was so excited to get back into my “element” from high school. Although I love getting to experience and train with different types of theatre (i.e. Shakespeare, devised work, contemporary plays, etc.) musical theatre has always been my favorite type, and is ultimately my goal for after I graduate. For this show, we brought in Tara Giordano, an outside director from New York, Gabriel Gould (who is actually an English Professor here at Juniata) as our Musical Director, and Nate Dryden, a visiting artist who focuses on aerial and floor movement (I was able to work with him last year on trapeze!) as our Choreographer. As for our cast, this is one of the first shows where the cast is mostly non-theatre students. We have four freshman, two sophomores, two juniors, two seniors and a graduate student! It has been such an amazing experience to have so many different types of talented people working on a beautiful show.
Rehearsals have been really hands-on for us, as we have been taking our ideas for our characters and going into so much detail about them, how they move, how they speak, how they think, what they want, etc. It definitely takes a lot more than just reading words off a page to make a play really come to life. Since the show takes place in the 1960s, we have to play with different styles of dance and attire from that period (our costumes are awesome). When blocking scenes, even though our director ultimately decides how the scene should look, Tara was always willing to listen to our ideas and encouraging us to embrace our impulses. It’s been a really educational, beneficial, and rewarding experience working on this show and putting so much effort into the play we’ve created.
We have all been hard at work for the past two months memorizing, blocking, building, and singing our hearts out in rehearsal every day. While you’re in a production, it often seems like the actual performances of the show are ages away, until one day you wake up and realize you’re opening in a week! It’s been really crazy watching this show grow from a script in our hands to a real play on stage with a live band, a beautiful set, and soon an audience sitting in front of us! Little Shop of Horrors opens on October 21st at 8:00 PM, and will be performing on the 22-23rd, and 27-29th as well. Tickets are free for Juniata students and $20 for general admission! If you are in the area, and want to see a hilarious, bloody, romantic, and slightly terrifying musical, then I hope you come see the show!
For the past few weeks, my Performance Lab class (run through the Theatre Department) has been building our show, Solos, which opens in two weeks! Performance Lab is an incredible class that Theatre Performance POEs get to experience, where every few weeks different guest artists come to school to work on specific techniques or skills with us. We’ve worked on movement, scene studies, playwriting, and stage makeup, and learned what it’s like to be an actor after we graduate. I’ve only had two semesters of Performance Lab so far (as a Theatre POE we need five semesters), and it is definitely the best and most rewarding class I have taken at Juniata. We get to build so many different skills, work with incredible artists, and make outside connections in the “actor world.”
Recently, we have been working with Leigh Hendrix, an actor and theatre performer based in New York, who is serving as our mentor for our solo performances. Each student in our Performance Lab class has created a seven-minute piece, and is starring in it alone. The themes and stories are all incredibly different, and my classmates have worked to portray a multitude of diverse characters.
For my solo, I wrote a short play called “Out of My Head”, which shows the struggle of a girl who is arguing and sometimes being controlled by the voice in her head (which I believe everyone has had some experience with at some point). I will be playing the girl and the voice at the same time, switching back and forth between the two simultaneously. Playing two characters at once is something I’ve never done before, so I’m really excited to continue working with my play in rehearsals. I probably re-wrote my script a dozen times, always tweaking and changing little things here and there until I found a draft that I am very satisfied with. As an actor and playwright, it’s nearly impossible to find “the perfect draft” of a play because every time you read it, or listen to it being read, you find new things you want to change. It’s a really fun but strenuous process.
Solos are being performed April 20th, 21st, and 22nd in both the Suzanne Von Liebig Theatre and The Movement Studio. Since there are eleven students in our class, we split the group in half, so six will be performing in SVL Theatre, and five in the movement studio. I definitely recommend coming to see a performance, because it’s really amazing to see some of the work Juniata’s performers can do. If you want to see all of the student’s pieces, you’ll need to come two nights (since you can only be in one space at one time). My friends and I have worked really hard on these original pieces, and I can’t wait until we can show everyone!